Atlanta Mobile Music Project is Live

We are pleased to announce that the Atlanta Mobile Music Project is Live! This project is an effort to create a sense of community among MARTA commuters based on a shared love of music. You can learn more about the project by visiting the homepage. If you are interested in participating please tell us what you are listening to on your commute by sending the artist, song title, and your MARTA train line / bus route to our Facebook, Twitter, email, or text/call line (404-594-4036). Marta Music

Please check out the communal playlist and our trending music charts. Special thanks to our partners Georgia State University’s School of Film, Media, & Theatre, Liquid Blackness, and the MARTA Army and to our sponsor Georgia State University’s Center for Collaborative and International Arts.

Atlanta’s Mobile Music

I am very happy to announce that my colleagues Angelo Restivo, Jennifer Barker, and Alessandra Raengo successfully earned a CENCIA grant for the School of Film, Media, and Theatre. The grant will allow us to put on a major media conference and community event. My contribution to the community event will be an initiative of the Atlanta Media Project called Atlanta’s Mobile Music. Based on research for my book The Procrastination Economy, Atlanta’s Mobile Music will survey MARTA riders on their mobile listening habits. The information from these surveys will be tabulated and a billboard chart of Atlanta commuters listening habits will be created. This billboard will offer commuters an opportunity to understand their fellow citizens and connect over their shared love of music. In February, the music of the commute will provide the soundtrack to a dance performance at MARTA’s Five Points station.

If you are interested in participating or helping with the project please contact me.

Atlanta’s Incentive is Cultural Capital

By Christopher M. Cox, Jayson Quearry, and Ethan Tussey

When Georgia residents sit down to watch a television program or film shot in the state, they will likely recognize a familiar street corner or a local landmark.  As taxpayers, these residents have contributed not only to the state’s television and film tax incentive, creating a competitive advantage for productions to film in their community, but also in hopes of seeing that community displayed prominently.  Frequently, however, Georgia’s nuances get painted over so the state can stand-in for another setting.

Often, that erasure begins before the final product is ever released.  The trade coverage for two recent Georgia-based productions, FX’s Atlanta and Marvel Studios’ Captain America:  Civil War, exemplify the difference in how Georgia is represented to the public.

Drawing on 40 articles related to Atlanta and 131 articles related to Civil War, coverage discussing Atlanta or Georgia skews heavily towards Atlanta over Civil War.  Where Atlanta is said to present its titular city as a microcosm for the United States, a showcase for black life in the country, a mythical landscape, and a growing haven for creatives, Civil War was associated with franchise concerns, like inclusionary diversity, celebrity bodies, and interconnected narratives.

High-budget productions, like Civil War, are who the tax incentive intends to lure to Georgia’s borders, but those productions rarely create a connection between the location and the final product.  Locally nourished, regionally specific content, like Atlanta, prove to be the true fruit of the tax incentive, due to the focus projects of the sort place on the culture of the region.

The trade coverage infographic below is only the first stage in the Atlanta Media Project’s analysis of how Georgia’s tax incentive allows Atlanta’s cultural value to flourish versus mainstream projects.  Further information regarding labor, discourse, and the prestige of Atlanta will follow.

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